Hundreds of authors have signed an open letter in support of Lisa Ko. by Dan Sheehan

PLEASE TAKE ACTION RIGHT NOW AND SEND YOUR LETTER TO THE UN OFFICE OF THE SPECIAL ADVISER ON THE PREVENTION OF GENOCIDE AND THE INTERNATIONAL CRIMINAL COURT PROSECUTOR.

  1. “We are disturbed and offended by the defamation of our colleagues, which has caused deep-seated harassment and loss of professional opportunities for both. Such harassment is rooted in a long history of silencing and mischaracterizing non-white voices in mainstream western media.”

It goes on to condemn the “deeply problematic and dangerous” behavior of “literary gatekeepers” The New York Times and The Atlantic, as well and free speech organization PEN America, with regard to this particular case and to their wider coverage of the cultural fallout from Israel’s war on Gaza:

“Though serious strides have been made in the last two decades in redressing complex identity politics in the United States, the fallout of the Gaza war among media and cultural institutions has reeked of centuries of racism. For literary gatekeepers such as the New York Times and the Atlantic to disregard fact-checking—fanned in no short form by newspapers Haaretz, The Times of Israel, and The Forward—is deeply problematic and dangerous. Additionally, free speech organization PEN America also joined these neo-McCarthyist erasure and reductionist efforts in a press release, and, along with the New York State Writers Institute, must issue a full correction in order to stop defamatory lies from spreading.”

Continue reading at https://lithub.com/hundreds-of-authors-have-signed-an-open-letter-in-support-of-lisa-ko/

Intifada: On Being an Arabic Literature Professor in a Time of Genocide by Huda Fakhreddine

PLEASE TAKE ACTION RIGHT NOW AND SEND YOUR LETTER TO THE UN OFFICE OF THE SPECIAL ADVISER ON THE PREVENTION OF GENOCIDE AND THE INTERNATIONAL CRIMINAL COURT PROSECUTOR.


  1. And in the ivory towers of academia, there is no direction forward without a recognition of the exploitative nature of our institutions and their complicity in the violence we are now witnessing against Palestine and the Arabic tradition to which it belongs. This Genocide is calling us to wake up, to shake off the implicit and now blatantly explicit limits on our lives and our work. Innocent blood is demanding that we affirm our right to advocate for and defend the culture we study and its people as human beings before we even dare study them as creatives and intellectuals and mine their history and culture for our own profit.

Continue reading at https://lithub.com/intifada-on-being-an-arabic-literature-professor-in-a-time-of-genocide/