More Than 65 Palestinian Filmmakers, Including Hany Abu Assad, Elia Suleiman and Farah Nabulsi, Sign Letter Accusing Hollywood of ‘Dehumanizing’ Palestinians by Variety

PLEASE TAKE ACTION RIGHT NOW AND SEND YOUR LETTER TO THE UN OFFICE OF THE SPECIAL ADVISER ON THE PREVENTION OF GENOCIDE AND THE INTERNATIONAL CRIMINAL COURT PROSECUTOR.

  1. We, Palestinian filmmakers, appreciate and thank the National Academy of Television Arts and Sciences (NATAS) for standing up to pressure and insisting on freedom of expression by upholding Bisan Owda’s 2024 News and Documentary Emmy nomination for the documentary, “It’s Bisan From Gaza and I’m Still Alive.” 

This film is narrated by the award-winning and inspiring 25-year-old Palestinian journalist, Bisan Owda, who has risked her life to share with the world reports and stories about the resilience, resistance and survival of ordinary Palestinian families in the face of Israel’s ongoing, livestreamed genocide in the occupied Gaza Strip. 

Trying to censor Bisan’s voice is only the latest repressive attempt to deny Palestinians the right to reclaim our narrative, share our history, and in this case bring attention to the atrocities our people are facing in the hopes that we can bring an end to them. We well understand the power of image and cinema, and for far too long we have been outraged at the inhumanity and racism shown by some in the Western entertainment industry towards our people, even during this most difficult of times. 

Continue reading at https://variety.com/2024/film/global/palestinian-filmmakers-accuse-hollywood-dehumanizing-gaza-israel-1236120786/

Elia Suleiman on Being A Palestinian Director in a Post-Oct. 7 World by The Hollywood Reporter

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I was beginning on a new project, starting to jot down ideas, seeing which would linger, but when [Oct. 7] happened, everything stopped. I make very few films, with years in between, and I make them out of mostly personal experiences, so I need to experience a certain ambiance, and I need to sponge up the global ambiance. Since the start of the war, for the first months, I deserted the writing, because I found out that I don’t yet have anything to say. I just got back to it actually, even though the war is still going on. I don’t know why I’m calling it a war now: The genocide is going on and it’s getting worse. So I’ve started toying with ideas for my next film, started trying to put myself to work.

But I don’t think it’s really a question of being Palestinian. The fact that I’m Palestinian adds a certain layer of familiarity with the place, because I know people from all over Palestine. And being a Palestinian filmmaker puts you in a kind of an alienated position vis-à-vis the world, as you wonder about the horrors happening in Palestine and the governments that are supporting that horror. It makes you feel less hopeful about any possible change. But finally, it is about globalization — that there is power and money and multinationals with interests in militarization and fascism.

Continue reading at https://www.hollywoodreporter.com/movies/movie-news/elia-suleiman-sarajevo-film-festival-award-palestinian-director-1235962942/