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Whereas the colonial nature of Jerusalem Light Festival is “light”… the actions and graffiti of [Price Tag] can hardly be more overt. The Graffiti constitutes a more extreme and genocidal formal aesthetic violence, reflecting and foreshadowing actual acts of brutality.
… The colonial practice of marking, of stripping, and maiming the body, through various modes of sensory violence demonstrates that the colonised city is a space of exterminability.
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